The site-specific installation combines objects, video projection, and performance as a vehicle to connect viewers in a participatory experience. Viewers are invited to participate in a sensory experience by looking, smelling that initiates memory and ideas of home and wellbeing. At the same time, viewers must step onto the cakes in order to view the videos of the making the cakes. Playing the two polarities there is an uneasiness in the exact of breaking the cakes and the instability and decay of the objects. 

Ambiguous in nature the performance/object relationship initiates questions and viewers are invited to participate in their own self-realization.

and interpretations